Thursday, 17 May 2012

Knot























Hand-held,
Limp cloth swings in grey folds,
As thin as air.

No motion but wind-eddies
In a still room
Dust-motes shaken by the tiny hands of atoms
And the beat of human blood
Along thumb and finger.

To tie a knot
Brings purpose
And energy
Runs an end through a loop
Like a beginning trapped in process
Like termination turned back upon itself.

Tightening,
Small muscles flex,
Transform fabric into movement,
Make of gravity
And its perpetual falling to earth,
Curvature.

In one moment, listless,
In another, bound.
Like spiral time,
Space, light and shadow,
Combine and rebalance.

Knotted substance,
Brings all its attenuated,
Infinite threads to touch:
Twisted, one through another,
The sweep of the hand tying,
The warp and weft of fate.

© BH 2012

Yet another response poem. This time it's for a painting by Alison Dunlop. She posted an image on facebook and I wrote this. Simple really. Sometimes the words just come out. Nice painting too, by the way.

The illustration is another of Alison's paintings on the same theme. 

Welcome to My Life, Tattoo

In the wide mirror I sat, a chain around my wrist, as blue as the sky, on my arm, a net, running up the skin, reticulated. Over time, my eyes had become watery and ill-defined, just as the tattooed skin had blurred, decade by decade. So, too, the memories they stood for, feathered at the edges, merging. Tattoos: moments scratched beneath the surface. As if memory alone was not enough.

I put my shirt back on, covered up my illustrated past. Most days I lived without it bothering me. But today was St Valentine’s and I remembered. The first cut is the deepest. Like the song.

I actually claimed the Who inspired my first tattoo, from their song of the same name. It was almost a complete lie. No, I did it for love. Unrequited, as it turned out. Unacknowledged. I pulled up the sleeve on my left arm. On the inside, just above the elbow, where I could keep it hidden: tattoo, my secret love.

Going on seventeen to my eighteen, she was pretty, fair, and I was, what, still a boy? I longed for her at a distance. I decided to have her name embroidered on my flesh, in a heart, with a crude lighting bolt, my indelible love, just out of sight, just short of painful.

It would have remained secret, but for a word from someone else. She confided, ‘Anne really likes you. She’s just shy, that’s all…’ Encouraged, I walked on air and my tattoo throbbed with the memory of its bloody making.

Valentine’s Day came. I had a card. Just the one. In the café that evening, Baz, Anne’s brother sat across from me. Pure chance. Out of the blue, he said, ‘I’m heading back to the house. Anne’ll be there… You don’t mind?’ On the way, he added, ‘I’ll drop you off, then I’ve to get Lynn. Catch you later.’

Alone with Anne, conversation circled the unsaid. Courage was hard to find. But I found it. I got the words out. ‘Did you send me a Valentine card?’

‘No’ she replied.

All the things I could have said, all the things I could think of now, escaped my stupid tongue. Where was, ‘I think you did…’? Where, the lie, ‘I sent you one…’? Where, even, ‘I wish you had.’? No, ‘I love you’. No, ‘See me, feel me, touch me… heal me’. ‘Oh’ I said.

Baz and his girlfriend came back to find us sitting in unimaginable silence. Quizzical glances, shrugs. Love was history so I had to leave. In time, ‘Anne’ became ‘Mary-Anne’ across the tattooed heart. Mary-Anne with the Shaky Hand, another song by the Who. Another lie.

In the mirror after so long, I remembered it. I remembered all the tattoos that followed and the life they led me. In the blue glass, the bluer haze of my skin was a mist, like the past. I buttoned my shirt up to cover everything. My own hands were shaking.
© BH 2012



I wrote this as contribution to Andrew McCallum Crawford's Lovers season on his website, Wee Fictions. He very kindly published it -here - in February. Valentine's Day, to be exact. Appropriate. The incident was, to an extent, one that happened. The only difference being that I haven't carried a torch and, no, I don't have a tattoo. Too squeamish.

Tuesday, 15 May 2012

Switching Off















On the web page, the picture was a blank. Ridiculous. The image meant to inspire his writing was not there. It had never existed. Scandalous.

Monday, 5 March 2012

Voices

People.
Like people I once knew,
Fathers and mothers,
Spoke to me again.

Voices,
Which time had worn away,
Echoed like memory
In the space between us.

As if the leaves,
Worn September leaves,
Still held on to life,
Death-defying in their high trees.

Long-lost souls returned
To their long-drawn place,
Turned imagined footsteps
Home.

Birds of park and wood,
Hoolet, cushat and peewit
Circled out of sight
From a dim-remembered place.

Mist on the far hill
Came like smoke
And went like the clouds
Leaving at sunset.

The wind rose and fell
Twisting leaves into rain
Beech, rowan, aspen, flakes of winter,
Long-gone, but coming soon.

Those voices, so old,
So full of heart,
Spoke as if nothing at all
Had withered in the glen.

Those voices, so bright,
Were yesterday for us
Dust in our fingers
Falling like the crumbling earth,
The crumbling earth that years become.

© BH 2012

Another 'response' poem, this time to Gill Russell's Where Long Shadows Fall installation at Glenbuchat. It's actually nearly six months later, but a response is a response.  It was actually a snatch of video I took on my visit that caught my attention. The mist was like smoke in the air, especially in close-up. The voices in the audio were like those I grew up hearing. That was a while ago now.

Friday, 27 January 2012

Hearth / Sòrn

Night in the deep forest
Falls on blind eyes.
No-one sees the fading of the light.

Words,
Heard above birds in flight,
Speak in tongues not our own.
Other meanings hide
In their telling.

Fire in the earth
Came blue at last,
As if ice were lying
Just beneath the surface.

In the trees’ circle.
A ragged hem of sky,
Two shades paler
Than the black canopy,
Cupped one star
In parting cloud.

What had been snow,
Remnants of sleet and rain,
There, the mist falling
Was dew upon the eyes,
An infinity of moisture
From the pinewood’s arms.

In its ring of stones, blue,
With a cold element of stillness,
The patient light shone
As if there was no end to it.

Above, where no-one looked,
Now, the vague forest
Crackled with sounds moving:
The horse from right to left,
The beat of wings
Like eagle
Like moorhen
Like heather cock
With, behind, sounds calling
From forgotten seasons.

Then the singing,
High and cold
As if blue also was its colour.
A song like the sea,
A stream of southbound sea,
With waves and spume
Coming angular across the Minch
Where the blue men, Am Fear Gorm,
Steal the souls of sailors
From ever finding land.

In this forest,
A hundred miles given
To ground,
The haunted voice
Sang of landscapes lost,
Sons and husbands
Pulled down in the deep;
The deep of sea;
The deep of earth.

Cold slid uninvited
Beneath the skin.
Silence came at last
To the woodgrove
Where only dimness
Rose from the hearth-pit,
Light and shadow
On the long-trunked trees.

In this place,
The veil thinned
Between here and nowhere.
Trees, like masts,
Shone with St Elmo’s fire
While the ship of night
Heeled before a thousand winds.

© BH 2012

I've written a few pieces for Gill Russell's work over the years. This is for her installation, Sòrn, part of the Where Long Shadows Fall project for Cairngorms National park. Sòrn is a light and audio installation in Strathmashie Forest and I couldn't resist making something to fit the place and the work. It's just an impression. What I remember of the night of the Lantern Walk on 22nd December last. Elemental nature with the crowds dispersed. And, yes, there was a star.