…of the body
a laid-out map
or on a
butcher’s slab
blood streaming
beneath and through
everything else
beneath the skin
skin-tight skin
protection a boundary
blood-shot
suffused capillaries
flushed beneath
and the heart’s
drum-skin-stretched
beating
the rhythm of a life
its pulse a beat
marking time
second-by-second moments
coursing through
all our organs and instruments
of existence
the fleshed devices by which
we survive
the liver’s purified blood
the kidneys’ water filtered and expelled
the gut’s long chain from
hunger to waste
musculature and bone
nerve and gland
the armatures on which
each human is embedded
smoothed
by time’s own finger
rising and resting
swollen by being
© BH, 2021
This began as a reflection on the war poem of the same name as the subtitle [Naming of Parts (1942) by
Henry Reed]. Instead of weaponry, though, I wanted just the anatomical facts.
Instead of war and weaponry, though, I wanted to deal with humanity in terms of our anatomical facts.
I'd once read someone’s assertion that the human body is never fully represented in poetry - well, apart from hearts and minds and the evocative bits. I felt like digging a little deeper, I suppose. Or, perhaps, making an exposition of ourselves and those places beyond - all the separation our flesh is heir to.
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