Living on a surface
scraped clean by time,
the geology of generations,
the faint striations of what was
once perfected and worn away
to nuance and supposition;
not one scratch, a truth,
an approximation
of the silence
of a ghost.
Falling, in the bleak rain,
this uncertain weather,
under a barometer of sky
where altitude pressures air
where clouds in turmoil
twist fog around the sun,
an arc as fluid as time’s days,
time’s years as rounded
as the planet’s shoulder,
the empty horizon a shrug,
disquiet and disinterest
hunched beneath it.
a rainforest burns
and rain no longer falls
a broad sweep of machinery screams
its half-track creak cries out ‘timber’
jibes jibs at trees older than breathing
it lurches and dives
a predatory steel bird
spawn of dinosaurs
a descendant lizard
extinction in every rusted scoop
more water
in the dark-channeled sea
as the tide-race shifts
parallel to the shore
the flood’s convergence
clasps the beach-head
scours its precious stone
tearing it like an appetite
and in the ebb
everything is laid bare
laid drenched and dead
mudflats
kelp beds wrack fronds
seaweed limp with exhaustion
and water’s absence
passive and patient
for change
more water
drains from hidden places
while blue sky
slack in the shallows
darkens the gullies
where sea must return
more water
swells low to high
more water
under gravity
and the pull of moon
or sun
or the drag of bedrock
all the inertias of earth
in waves of change
perpetual
in their rising
and their falling
repeat these hours until
tomorrow’s new sea runs
and brings its reckoning
its wet accounting
its tides
I read a book about tides on my own very special Scottish island (where tides are important): Tide: The Science and Lore of the Greatest Force on Earth by Hugh Aldersley-Williams. Very informative. Made me think about the volumes of water heaving across the surface of the planet, We have, at most 5 metres, here. Elsewhere, anything goes; influenced by seabed topography, oceanic currents, landmass… And not even as regular as we think. Still, regular enough for me, its rise and fall organises life there - shopping, visits to the pub, scrabbling visits to the foreshore. Rising ever higher and scouring the margins of ground never before reached, I wonder at its relentlessness. More water, that's for sure. How could anyone deny it?
this room
this office room
where droplets in the air condense
like vague ideas and run down walls
where obedience and protocol perspire
vaporous guilt complicit mist settling
on the hard-worked bent-headed
lower orders desk-bound slaves
breathing for want of anything
else to do
Duncan Chisholm, the fiddle player, posted a sky over Galicia (with hashtag #SantiagoDe Compostella). I thought about skies, fiddle-players and saints walking. I wrote this in reply.
Slugabed Binion from her bed by a brown-stained dresser wakes to morning. Wisps of dream still trickle from her teardrop eyes. Her thin, fair hair hides its grey in the time it takes to comb and comb, to brush away the truth. It falls in hatched straight lines and masks her silver with its gold. She sighs and puts a white hand to her face, the pale lip trembles in a memory till the red stick paints today across the edges of her smile.
mocked a king,
beside the sand
round which cold passions
command decay
and said,
‘Frown away,
sneer, half despair,
look on the desert sands,
sunk and level;
bare the lip,
read these lifeless words
far from those stone remains
that met the wreck of things.
Paul Malgrati offered a translation into Scots of the above. I couldn’t resist an attempt at translation. Like before, the result is different again. That’s the way with language, minds and poetic form in general. I got the thumbs up on it from Paul, so all’s well. Plenty room for expression. You can read Paul’s original (and Apollinaire’s) here…
I had nineteen poems published by Martin at Poetry24 in 2018. Nine more in 2019 —the latest, and last (because Poetry24 is closing for submissions) is: I read the news today. It was also the last submission Martin at Poetry24 put up. I'm honoured.
"…the whole world weeps, sheds water from its fractured veins, finds its bedrock shattered or under pressure, under duress, it oozes blood, a blood-like fluid, a thin extraction, the Earth’s crust sobbing, mortally wounded by stabs of greed"
clouds of springtime
unfold their petals as vapour
a bloom-like mist on once-bare trees
and the turn of a year passes
its one moment of being
as yet uncommitted
to memory
I had nineteen poems published by Martin at Poetry24 in 2018. Eight more so far in 2019 —the latest, published on 18th April, is: not even the captain.
there is no good news
for the rhapsodised
nor for their lovers nor ourselves
who are also artists and buy love
like cheap concrete
cumbersome stone
to build our phantasms with
in the place where
blue turns black where
sharp stars stab the night where
haze on the horizon curves where
the planet bends beneath inscrutable heaven
I had nineteen poems published by Martin at Poetry24 in 2018. Seven more so far in 2019 —the latest, in March for International Women's Day, is: Invisible Woman.
Invisible Woman - the gender data gap - the world measured by geeks (mostly men)
The road’s black business runs thick with the hoarseness of tyres,
with the rattle of high-sided vehicles, the lull of household names,
storage, haulage, shopping malls, cheap components, chain-store
halls, white goods, car parts, sofas, beds, special moments, turn out
the light, sleep-well-my-darling, just one more night’s breakneck
hurtling through this two-lane highways’ sun-set drawn-out dusk.
January cold taxes the purse.
February remembers love for a time
While winter deals its worst.
March gives us reason
For changing the season
As wind blows through like a curse.
shells in shards, shaped like striated musculature
she carved them from the flesh of beaches
with husked sand, carapaces and skull segments
tied and strung into Adam’s bones
with the dust of grinding suspended in the air
and chipped flakes of cartilage silting her worktops
she breathed life into her work while particulates
drained her own life to an ebb like a quicksand